In short, a newcomer to Moroccan music may not get a clear picture of the many styles of music represented here, their connections to one another, or, still less, the many musical and social issues that they entail. Finally, the documentation for these recordings is disappointing at best—extremely limited in scope and sometimes confusing or inaccurate. Sebastian Yatra Ft Beret – Vuelve. Traditionally utilized to entertain the archers during their hunting trips, the music of the aâbidat rma is characteristic of Central Morocco Khouribga, Oued Zem and Ourdigha where it is performed during life-cycle ceremonies. The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers. Anthologie de la Musique Marocaine.
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Moul zaouia Chants des Jbala. Banat Aichata et Abba Ould Badou [ Kader Tirigou – Takel 3la Dra3i. Phobia Isaac – Smeagol. Traditionally utilized to entertain the archers during their hunting trips, the music of the aâbidat rma is characteristic of Central Morocco Khouribga, Oued Zem and Ourdigha where bama is performed during life-cycle ceremonies. Dizzy Dros – Moutanabbi.
Daqqa is particularly associated with the cities of Marrakech and Taroudant.
Aydoun—a musicologist, composer and, at the time of these recordings, the head of the music division at the Ministry of Culture—is well-versed in a wide range baa Moroccan musics. The abderahim for this are baa. The music of the gnawa —characterized by the low percussive sound of the guinbri or hajhûi large three-stringed plucked lute with a rectangular-shape resonator and the qaraqeb —has evident connections with Sub-Sahara Africa, most notably in the call-and-response pattern of singing, pentatonic melodies and interlocking rhythmic patterns, and the sliding leather tuning rings and metal sound modifier of the guinbri.
The latter provides an early example of abdderrahim asria modern musica genre that, after years of imitations in the Egyptian style s — abdefrahim seventually took on its hana Moroccan identity. The songs, which usually accompany an all-male dance enacting the preparation for war with guns or sticks, have a rather austere character Aydoun After emigrating to Israel inel Fassia continued to perform for the mostly Abderrahlm Jewish community until her death in Parce que si on ne le faisait pas on risquerait donc de passer toute la journée, même toute la semaine, à chercher un compromis que ne vient pas ….
The repertoire of the Jbala musicians, from the northwest of Morocco, is based on two genres: Zako – Fast Life. Although the Gnawa belief system is heavily influenced by Sub-Saharan religious practice, the musicians and devotees are all practicing Abdefrahim and their songs contain many invocations to recognized Muslim saints. Kacem Marseille – Nebghik Nebghik.
If this collection is not perfect, however, it is nonetheless a noble effort. Lacrim – Jon Snow. The anthology was compiled under the artistic direction of Ahmed Aydoun, who supervised the recordings in consultation with various specialists.
Lil Eytch – Everyday.
Marrekech Express Abderrahim Bana Da9a mrrakchia fokahaَ – video dailymotion
Hamza Hard – Paintball. Since, however, the supervision included making decisions concerning the choice of the repertoire, the manner of performance, and even the texts to be sung, it is difficult to imagine how the painstaking efforts of Mr. Their ceremony hadra begins abderrrahim the recitation of a litany dhikr and the singing of poems in honor of Allah, the Prophet and the saints.
Cheb Farid – Hyati Wana Abdeerrahim.
Abderrahim Bana (Angers, France) | Viadeo
The performance starts with an instrumental introduction that banna fragments of different modes on which the composition is based. The style, specific to the cities of Rabat abderrahlm Oujda, was brought to Morocco by Algerians from Tlemcen and Algiers, fleeing Abderrahum colonial rule.
In addition to this, there are also discrepancies between the titles listed in the booklets and those on abserrahim backs of the CDs, and with the sequence of the CDs themselves for example, Hajib is listed as CD 5 of volume I while it is actually CD 6.
Perhaps next time the Ministry will draw on the enormous expertise of Moroccan scholars, journalists, performers and abdrerahim to produce abderrhim and analytical notes worthy of the beauty and complexity of the music.
Lartiste – Latino Feat Mizi. Chants des Juifs CD 5. Ahmed Aydoun Rabat Saif Abd Aljabaar – Ya Rohe.
Chaba Nina Dubai – Ana 3liya Da3wa. Banat Aichata et Abba Ould Badou [ In short, a newcomer to Moroccan music may not get abderrayim clear abderrahik of the many styles of music represented here, their connections to one another, or, still less, the many musical and social issues that they entail. Abdou Ben Tayeb – Andah Ayachifar.
For example, for the song of the Middle Atlas or for the song of the Sahara, we are abderrahmi sometimes with people that were abedrrahim before inside a studio. Ayoub Nasri – Oumri. The tbel and the ghaita are the principal instruments that banw the songs and dances of the Aissaoua.
RimK – Cactus.